I Did It Again I Made Her a Mixtape

2000 studio anthology by Britney Spears

Oops!... I Did Information technology Again
Britney Spears - Oops!... I Did It Again.png
Studio album by

Britney Spears

Released May three, 2000 (2000-05-03)
Recorded 1999–2000
Studio
  • 3rd Floor
  • Avatar Studios
  • Bombardment Studios
  • Electric Lady Studios, New York City
  • Due east Bay Recording, Tarrytown
  • Pacifique Recording Studios, Hollywood
  • Rarc Studios, Orlando
  • Cheiron Studios, Stockholm
  • La Tour-de-Peilz, Switzerland
Genre
  • Pop
  • dance-pop
  • teen popular
Length 44:37
Characterization Jive
Producer
  • Timmy Allen
  • Larry "Rock" Campbell
  • Barry J. Eastmond
  • Jake
  • Robert "Esmail" Jazayeri
  • Rodney Jerkins
  • David Kreuger
  • Robert John "Mutt" Lange
  • Kristian Lundin
  • Steve Lunt
  • Per Magnusson
  • Max Martin
  • Rami
  • Paul Umbach
  • Eric Foster White
Britney Spears chronology
...Baby 1 More Time
(1999)
Oops!... I Did It Again
(2000)
Britney
(2001)
Singles from Oops!... I Did It Again
  1. "Oops!... I Did It Once again"
    Released: Apr 11, 2000
  2. "Lucky"
    Released: July 25, 2000
  3. "Stronger"
    Released: October 31, 2000
  4. "Don't Let Me Be the Concluding to Know"
    Released: March 12, 2001

Oops!... I Did Information technology Again is the second studio album past American singer Britney Spears released on May 3, 2000, through Jive Records. Though much in the vein of her debut album ...Infant One More than Fourth dimension (1999), information technology is a pop, dance-pop, and teen pop record, the album incorporates a more funkier and R&B sounds.[ane] Contributions to the album's production came from a broad range of producers, including Max Martin, Rami Yacoub, Per Magnusson, David Kreuger, Kristian Lundin, Jake Schulze, Darkchild, and Robert John "Mutt" Lange.[2]

Upon its release, Oops!... I Did Information technology Once again received positive reviews from music critics, who praised its production, sonic quality and Spears' vocal performance. The album became a massive commercial success, debuting at number one in over fifteen countries while peaking inside the peak ten in various others. In the The states, information technology debuted at number 1 on the Billboard 200, with first-week sales of one.39 million copies, becoming the fastest selling anthology by a female person artist since Nielsen SoundScan began tracking bespeak-of-auction music purchases in 1991.[iii] This record was cleaved 15 years later by Adele'south 25, which sold over 3.38 million copies in its first calendar week of release.[four]It became Spears' second consecutive album to be certified Diamond by the Recording Industry Association of America, denoting sales of over ten million copies in the United States, making Spears at historic period 18 the youngest artist to take multiple diamond albums.[5] With worldwide sales of over 20 1000000 copies,[6] Oops!... I Did It Again is ane of the best-selling albums of all-fourth dimension.

Four singles were released to promote the album. Its title track was commercially successful in a number of territories, reaching number i in fifteen countries and peaking at number nine on the US Billboard Hot 100. Its second unmarried, "Lucky", peaked at number 1 in Republic of austria, Federal republic of germany, Sweden and Switzerland, within the top 10 in Australia, Belgium, Canada, Denmark, Republic of ireland, Italy, the Netherlands, New Zealand, Norway, Poland, Romania and the United Kingdom, and at number xx-three on the US Billboard Hot 100. Its third single, "Stronger", reached the acme ten in Austria, Republic of finland, Germany, Poland, Romania, Sweden, Switzerland and the United kingdom of great britain and northern ireland, and peaked at number eleven on the US Billboard Hot 100. "Stronger" became the highest-selling single off the anthology, receiving a Gold certification in Australia, Denmark, Germany, New Zealand, Sweden, and the Usa. Its final single, "Don't Allow Me Be the Terminal to Know", was moderately successful on the charts, peaking at number 1 in Romania, and within the top ten in Austria, Poland, and Switzerland, but failed to chart on the US Billboard Hot 100. To promote the album, Spears performed on several television shows and award ceremonies, including a controversial performance at the 2000 MTV Video Music Awards. She as well was the host and musical guest for the offset fourth dimension on Saturday Night Live. Furthermore, Spears embarked on a concert tour, entitled the Oops!... I Did It Again Tour, starting on June twenty, 2000 and ending at the Stone in Rio festival on January eighteen, 2001.

Recording and production [edit]

"When I did the first album, I had just turned 16. I mean, when I await at the album embrace, I'g like, 'Oh, my lordy.' I know this next album's going to exist totally different--specially the material. I but got finished recording the first six tracks in Sweden two months ago, and the material is so much more funkier and edgier. And, of form, information technology's more mature because I've grown as a person besides."

—Spears on the progression of her material for the album.[vii]

After vacationing for vi days following the completion of the ...Baby I More Time Tour in September 1999,[8] Spears returned to New York City to brainstorm recording songs for her adjacent album; the majority of the recording took place in November. Information technology featured contributions from Max Martin, Eric Foster White, Diane Warren, Robert Lange, Steve Lunt, and Babyface.[9] The songs "Oops!... I Did It Again", "Walk on By" (afterward covered by Gareth Gates), "What U Meet (Is What U Become)", and "Don't Become Knockin' on My Door" were the first to exist recorded at Martin's Cheiron Studios in the first week of November; followed by "Stronger" and "Lucky", which were finalized (along with the title rails) in Jan 2000. Spears recorded "Don't Let Me Exist the Last to Know" at Robert Lange'south villa in Switzerland in December 1999; Lange produced the song.[10] "Where Are You Now" was an outtake from ...Baby One More than Time. "Daughter in the Mirror" and "Can't Make You Love Me"'southward instrumental rail and melody were recorded in the fall of 1999 in Sweden, with Spears recording the vocals in mid-Jan at Parc Studios in Orlando, Florida.[11] [12] Spears returned to New York, linking upwardly with producer Steve Lunt to record Diane Warren's "When Your Eyes Say It" at Bombardment Studios on Friday, January 28, 2000, which preceded her TRL appearance that day. "One Kiss from You lot" was also recorded at Battery Studios simply was later on finished at tertiary Flooring in New York City. Spears also recorded the last track for the album "Dear Diary" which would later be completed at Due east Bay Recording in Tarrytown, New York and at Avatar Studios in New York City. Some other song recorded during these sessions was "Centre". Her embrace of "(I Can't Get No) Satisfaction" was recorded with Rodney Jerkins at Pacifique Recording Studios in Hollywood, California during February 24–26, 2000 after attention the 42nd Almanac Grammy Awards.[thirteen]

By Jan, the so-untitled anthology was halfway to completion; Spears had worked on it primarily in the U.s. and Sweden, and finalized material in New York City.[9] She was heavily pressured after ...Baby One More than Time 'due south huge commercial success, stating: "It'southward kind of difficult post-obit ten meg, I have to say. Just after listening to the new material and recording it, I'yard really confident with it."[14] Upon the release of Oops!...I Did It Again, Spears said: "I mean, of form there's some pressure level", and added: "But in my stance, [Oops!] is a lot better than the offset album. It'south edgier – information technology has more than of an attitude. It's more me, and I call back teenagers will relate to it more." Geoff Mayfield, director of Billboard charts, added that the decision to release Oops!... I Did It Again less than a twelvemonth and a half after Spears' debut amounts to "very smart timing. My philosophy is when yous accept a young fan base, get 'em while they're hot."[15]

Music and lyrics [edit]

Oops!... I Did It Once again was considered as a sequel to Spears' debut album, ...Baby One More Time (1999),[i] percolating with a carefully measured blend of familiar pop, funk, R&B and power balladry.[xvi] Spears said during an interview that the album has a more mature, R&B-flavored pop sound. "It'due south not something I changed purposefully", Spears said of the album'due south sound and added: "It'southward only something that kind of changed on itself with me existence older. My vocalization has changed a niggling fleck and I'k more confident, and I think that comes beyond on the material."[seven] One of its producers, Rodney "Darkchild" Jerkins talked well-nigh working with Spears on a Rolling Stones cover, stating: "It's going to shock everybody", adding: "Information technology has flavors of the original, but it's a directly 2000 version — new to the ear. Which I recall is absurd, because people who capeesh that song are going to love it. And I made it so new and young that the immature kids that love Britney are going to love it. It's going to grab both a mature and young audience."[17] Spears worked with Robert "Mutt" Lange on "Don't Permit Me Be the Last to Know", telling MTV News: "When you hear the song, it's so pure and delicate. It's just one of those songs that pull y'all in", and added: "I think they wrote it 'specially for me, because the lyrics of the song, if you lot really heed … they're more than of what I tin can relate to, 'cause they're kind of young lyrics, I call up. I don't think Shania would probably sing some of the words that I'one thousand maxim."[17]

The title track and opening song, "Oops!... I Did It Over again", was compared to her debut single, "...Baby I More Fourth dimension" (1998), featuring a slap-and-pop bassline, synthesizer chord stabs and a mechanized vanquish. Lyrically, the song sees Spears warning to an overeager prospective lover: "Oops, y'all think I'm in dearest/That I'm sent from higher up — I'm not that innocent."[18] The vocal too breaks downwardly for a spoken-discussion interlude, involving a line from the film Titanic (1997).[18] The second track "Stronger" is a synthpop[19] and R&B-infused rails,[17] which is lyrically a declaration of independence, where Spears leaves a partner who treats her like property.[20] The line "my loneliness ain't killing me no more" makes reference to the verse "my loneliness is killing me" from her song "...Baby Ane More Time".[17] Another R&B-infused track, which also adds a bit more than funk to the mix,[17] "Don't Get Knocking on My Door" finds Spears confidently forging alee afterwards a breakdown.[20] The 4th track, a comprehend of the Rolling Stones' "(I Can't Get No) Satisfaction", begins with mushy guitar plucking and blatant coos, until a dry out, crackling lockstep is thrown down, turning the song into an urban stomp.[21] The dance-popular version also jettisons the vocal'south last verse and adds some new lyrics[17] ("how white my shirts could be" becomes "how tight my brim should be").[22] "[Information technology] was my thought [to tape the vocal]", Spears said. "I was but like, 'I like this song,' and I recollect it will be a really cool combination working with [hip-hop producer] Rodney [Jerkins] and doing a really funky vocal like that."[13] The fifth rail, "Don't Let Me Be the Final to Know", was co-written by land-pop singer-songwriter Shania Twain and her and then-married man, producer Robert "Mutt" Lange, who also produced the track.[17] The ballad, which boasts a slinky keyboard riff and Lange's characteristically lavish production, finds Spears allowing a scrap of country twang into her vocals as she begs a lover to reveal his feelings: "My friends say you lot're into me ... merely I need to hear it straight from you lot", she sings.[17]

The sixth rails "What U See (Is What U Get)" demands respect by rebuking a jealous partner,[20] while the 7th rail, "Lucky", is a centre-rending tale of a Hollywood starlet'south loneliness, proving that fame tin be empty.[20] "If there'south nothing missing in my life/And then why do these tears come at night?", she asks.[19] "Schoolhouse crush" is the theme of "1 Osculation from You",[20] a rails that has a reggae-manner beat and lyrics virtually the feelings of falling in love, and the quickness of information technology,[23] with Spears cooing that after only one kiss she sees her entire hereafter with her lover.[24] The carol "Where Are You Now" talks virtually wanting to know where a previous dearest is, and what that person is upwards to, so that she can finally let them go and notice closure.[ citation needed ] Lines on "Can't Make You Love Me", a Europop vocal,[21] state that fancy cars and money pale in comparison to truthful beloved,[20] with Spears singing: "I'chiliad only a daughter with a crush on you."[21] The mid-tempo, synth-backed "When Your Eyes Say It", written by songwriter Diane Warren, combines a string section with a loping hip hop trounce,[17] while Spears makes her own songwriting debut on the modest, keyboard-driven ballad "Dear Diary", which she said is autobiographical. On the rail, she sings of wanting to become "then much more friends" with a boy.[17]

Release and promotion [edit]

In belatedly 1999, Spears promoted her upcoming anthology in Europe with live performances of her by songs. She appeared on Nail Hits in the United Kingdom.[25] In Italia, she did a short interview on the television evidence TRL Italy in early on 2000.[25] and gave a surprise performance in Paris in May 2000.[26] In Australia, Spears appeared on The House of Hits and Russell Gilbert Live on May thirteen.[25] In Spain, she gave an interview with El Rayo on September eight and October 24.[25] Spears performed at large venues in the Britain, including Birmingham, the Wembley Arena in London, and the Manchester Evening News Arena. She was accompanied by NSYNC, who toured with her during a brusk United kingdom outing in October 2000.[26]

Oops!... I Did It Over again was kickoff released in Japan on May 3, 2000, and was later released in the The states on May 16. In the The states, Spears appeared on Saturday Night Live on May xiii, The Rosie O'Donnell Show on May 15, and Teen People's 25 Under 25 on May 26.[27] On May x, she was interviewed on Late Night with Conan O'Brien.[25] On May 13, Spears was both the host and musical guest on NBC'due south Sabbatum Dark Live. She also performed on NBC'due south The Tonight Show with Jay Leno on May 23.[28] Spears' held her postal service-TRL listening political party, "Britney'southward First Heed", on May sixteen, and was toast the arrival of her album on side by side Tuesday's installment of TRL that started at iii:thirty p.m. (ET).[29] On May 14, she was at Times Square studios for 2 hours of "Britney Live" that started at apex.[29] Spears performed "Oops!... I Did It Once again" on MTV's All Access: Backstage with Britney that was broadcast on July 19, 2000.[25] On September 7, at the 2000 MTV Video Music Awards in New York Metropolis at the Radio City Music Hall, Spears gave a memorable live functioning.[30] which included a cover of the Rolling Stones'due south hitting single "(I Can't Become No) Satisfaction" (1965) and her ain striking "Oops!... I Did Information technology Over again", released earlier that year. While she began her segment in a black adjust, she shocked the audience and the media while, at only the age of eighteen, ripped it off to display a revealing, mankind-colored stage outfit with hundreds of strategically placed Swarovski crystals.[31] One month before the release of the anthology, Spears headed to Hawaii on Easter Lord's day so she could record a Flim-flam boob tube special titled Britney Spears in Hawaii. The complimentary concert was held on the beach in front of the Hilton Hawaiian Village lagoon in Honolulu, Hawaii.[32] The Pull a fast one on concert event was intended to serve as a preview of Spears' Oops!... I Did Information technology Once more album that features her twelve new songs.[32] Spears had on a month-long international promotional tour in back up of Oops!... I Did Information technology Again, and on May two, she had a press event at Kokusai Forum Hall in Tokyo, and made stops in both London and Hawaii.[33] Spears was also among the scheduled performers on the 42nd Almanac Grammy Awards, which aired on CBS at 8 p.m. (ET/PT).[34] She was also expected to appear on a Grammy-twenty-four hours TRL.[34]

The album's supporting bout, the Oops!... I Did It Again Tour, visited North America, Europe, and Brazil as part of Rock in Rio. On the Crazy 2k Tour, Spears introduced the songs "Oops!... I Did It Once more" and "Don't Let Me Exist the Last to Know". On June 24, 2000, Spears was featured in a print and television set advertising campaign for Clairol'due south Herbal Essences shampoo line. In a special coup for Clairol, Spears recorded her ain vocal for the make called "I've Got the Urge to Herbal" that was featured in 60-second radio spots and was function of a pre-concert video presentation for Spears's fifty-city summertime concert tour, in which Herbal Essences was the tour sponsor.

Singles [edit]

"Oops!... I Did Information technology Again" was released as the lead single from the album and accomplished worldwide popularity. It became Spears's third top-ten hit single on the Usa Billboard Hot 100, peaking at number nine; notwithstanding, in comparison to the huge success of her debut single "...Baby I More Time", Jive Records considered "Oops!... I Did It Again" a pocket-sized disappointment.[36] The song peaked at number one on the US Mainstream Meridian 40,[37] holding the record for the most radio additions in 1 day. "Oops!... I Did Information technology Again" peaked atop the charts in Australia, Belgium, Canada, Italia, kingdom of the netherlands, New Zealand, Norway, Poland, Romania, Spain, Sweden, Switzerland and the United Kingdom.[38] An accompanying music video for "Oops!... I Did It Once more" saw Spears on Mars in now-iconic red shiny catsuit, while she is visited by an American astronaut who hands her the fictional Heart of the Ocean jewel which Rose threw into the bounding main at the end of Titanic.[39]

The anthology's second single, "Lucky", was released on July 25, 2000 and received positive response from the music critics, who considered one of her best offerings from the album. Commercially, "Lucky" topped the charts in Republic of austria, Germany, Sweden and Switzerland, while reaching number v on the United kingdom of great britain and northern ireland Singles Nautical chart.[40] In the United States, "Lucky" only managed to top at number twenty-three on the Billboard Hot 100 nautical chart and at number ix on the Mainstream Top 40.[36] The "glittery" music video sees Spears as the narrator and an actress named Lucky, who is a melancholy picture star and shows her conflicted relationship to fame.[41]

The 3rd single, "Stronger", was released on October 31, 2000 and became the album'south second highest-charting single in the Us, peaking at number 11 on the Billboard Hot 100 and number one on the Hot Unmarried Sales.[36] Information technology reached number seven on the Uk Singles Chart.[42] Its music video sees Spears catching her boyfriend cheating on her at a futuristic turntable nightclub, driving off, getting in a wreck and singing in the rain,[41] while the chair sequence in the video was inspired by Janet Jackson's video for "The Pleasure Principle".[43]

The fourth and final single, "Don't Permit Me Be the Final to Know", was released on March 12, 2001 and is one of Spears' favorite tracks of her career. In the U.s., the song performed well below expectations, failing to chart on the Billboard Hot 100 nor the Mainstream Top 40. All the same, the vocal attained success in Europe, topping the Romanian Height 100 and peaking inside the top 10 in Austria, Poland and Switzerland, while just missing the pinnacle ten in Germany, Ireland, Sweden and the United kingdom, peaking at number twelve in all of them.[44] The music video was considered too racy at the time, portraying Spears in dear scenes with her fictional swain, played by French model Brice Durand.[45]

"You lot Got It All" received a promotional release in French republic in May 2000. A promotional CD single for "When Your Eyes Say It" was released in the United Kingdom in January 2001.[ citation needed ]

Disquisitional reception [edit]

Professional person ratings
Aggregate scores
Source Rating
Metacritic 72/100[47]
Review scores
Source Rating
AllMusic [1]
Billboard favorable[xvi]
Christgau's Consumer Guide (choice cut) [48]
Entertainment Weekly B[21]
Los Angeles Daily News [49]
MTV Asia eight/x[50]
NME 8/10[19]
Rolling Stone [22]
Salon favorable[51]
Sonic.net [52]

Oops!... I Did Information technology Again received favorable reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, Oops!... I Did Information technology Again received an average score of 72, based on 12 reviews, indicating "generally favorable reviews".[53] Giving the album four out of five stars, Stephen Thomas Erlewine of AllMusic noted that the album "has the same combination of sweetly sentimental ballads and endearingly gaudy trip the light fantastic toe-popular that fabricated 'One More Time'," but remarked that, "Fortunately, she and her production team not but have a stronger overall set of songs this time, but they also occasionally become carried away with the same bewildering magpie artful, [...] giv[ing] the anthology grapheme autonomously from the well-crafted trip the light fantastic-popular and ballads that serve as its heart. In the stop, it's what makes this an entertaining, satisfying listen."[1] Billboard magazine wrote that "'Oops!...' indicates that she's developing a soulful edge and emotional depth that tin can't be conjured with a glass-shattering note," praising the album for consistently cast[ing] Spears as a young woman coming to terms with her inner power—and that's a darn good message to offer an impressionable audience."[16] Entertainment Weekly'due south David Browne gave the album a B-rating, writing that the anthology "reminds u.s.a. once once again that the best new pop tin can be a blast of cool air in a stifling room."[21]

Rob Sheffield of Rolling Stone gave the album a three-and-a-half out of 5 stars rating, calling the album "fantastic pop cheese, with much better song-factory hooks than 'N Sync or BSB go", also noting that "the great thing about Oops!, under the cheese surface, is complex, fierce and downright scary, making her a true child of stone & curlicue tradition."[22] A writer of NME reported that "she'south modern-solar day pop perfection realised in a nearly, man form", commenting that "she's done it over again."[19] Lennat Mak of MTV Asia named it "a brilliant second album", writing that Spears "is armed with a more mature and seasoned pop star look, stronger and poppier songs, and of course, all-encompassing media exposure."[fifty] Andy Battaglia of Salon called the album "a masterpiece of sorts non for its message merely for the way information technology applies the conventions of the pop-musical medium."[51] Website The A.V. Club was more mixed, calling it "a joyless scrap of redundant, obvious, competent cheese, recycling itself at every turn and soliciting songwriting from such soulless hacks as Diane Warren and assorted Swedes."[54]

Accolades [edit]

Commercial performance [edit]

In the United States, Oops!... I Did It Again reportedly sold 500,000 copies in its first mean solar day of release.[sixty] It debuted at number 1 on the Billboard 200 chart, with first-calendar week sales of one,319,193 copies.[61] [62] [63] With its success, Spears held the record for the highest kickoff-week sales past a female artist.[64] This record was held for 15 years, but to be surpassed in November 2015 by the album 25 by Adele, which sold over 3.38 million albums in the United States in its kickoff calendar week.[4] The anthology fell to number two in its second calendar week, with additional sales of 612,000 copies.[65] Information technology held this position for 15 consecutive weeks.[66] [67] By its 5th week of availability, Oops!... I Did It Again had sold over three million copies and had passed five million copies past August.[68] On its seventeenth week on the nautical chart,[69] it was certified septuple Platinum by the Recording Industry Clan of America (RIAA) for shipments of seven million units.[70] [71] The album spent eighty-iv weeks on the Billboard 200, thirty-one weeks on the Canadian Albums Chart, and 2 weeks on the Usa Itemize Albums.[72] Oops!... I Did Information technology Again debuted at number eighty-two on the European Tiptop 100 Albums, and speedily peaked at number one;[73] it sold over iv million copies within the continent, being certified four-times Platinum past the International Federation of the Phonographic Industry.[74] Oops!... I Did It Again reached number two on the Great britain Albums Nautical chart,[38] selling 88,000 copies in the starting time calendar week of release; it remained in the top five for four weeks. The album debuted at number one in Canada, selling 95,275 copies in its get-go week.[75]

It topped the French Albums Chart[76] and the German language Offizielle Top 100, likewise being certified triple Platinum past the British Phonographic Industry (BPI),[77] double Gold by the Syndicat National de fifty'Édition Phonographique (SNEP)[78] and triple Platinum by Bundesverband Musikindustrie (BVMI),[79] cogent shipments to retailers of 900,000 units, 200,000 copies sold and 900,000 units shipped, respectively. Additionally, the album debuted at number ii on the Australian Albums Nautical chart, and spent ten weeks in the top twenty;[80] it became the fourteenth highest-selling of 2000 in the country and was certified double Platinum by the Australian Recording Industry Association (ARIA) the following twelvemonth afterward aircraft 140,000 copies to retailers.[81] [82] Oops!... I Did It Again opened at number iii on the New Zealand Albums Nautical chart and was certified Aureate afterwards just one week on the chart.[83] The Recording Industry Association of New Zealand (RIANZ) ultimately certified information technology double Platinum.[84] Oops!... I Did It Again became the third best-selling anthology of 2000 in the United States, selling 7,893,544 albums according to Nielsen SoundScan[85] and quaternary best-selling album according to Billboard Year-End of 2000.[86] On January 24, 2005, the album was certified decuple Platinum (Diamond) by the Recording Industry Clan of America (RIAA).[87] [88] Too, the album landed at number twenty-seven on BMG Music Club all-time all-time-sellers listing with 1.21 million units, behind Shania Twain's The Woman in Me (1.24 million) and Nirvana's Nevermind (one.24 million).[89] As of July 2009, the anthology has sold ix,184,000 copies in the U.s., excluded copies sold through clubs, such every bit the BMG Music Service.[90] Worldwide, Oops!... I Did It Again sold ii.5 million copies in its showtime week (2d highest first calendar week sales past a female artist worldwide) and sold xv 1000000 copies by the end of the year. It was the best-selling female person album and 3rd all-time selling album of 2000. The album has sold 20 1000000 copies worldwide.[6]

Controversy [edit]

Musicians Michael Cottril and Lawrence Wnukowski filed a copyright case against Spears, Zomba Recording Corporation, Jive Records, Wright Entertainment Group and BMG Music Publishing, challenge Spears' "What U See (Is What U Get)" and "Tin can't Make You Love Me" are "virtually identical" to 1 of their songs. Cottrill and Wnukowski claimed that they authored, recorded and copyrighted a vocal chosen "What You Come across Is What Y'all Get" in 1999 to ane of Spears' representatives for consideration on a time to come album, though it was rejected.[91] The case was later dismissed after information technology was ruled that they lacked sufficient bear witness and that in that location "weren't enough similarities between the 2 songs to prove copyright infringement."[92]

Track listing [edit]

Oops!... I Did Information technology Once more  – Due north American edition[93]
No. Title Writer(south) Producer(s) Length
ane. "Oops!... I Did It Again"
  • Max Martin
  • Rami Yacoub
  • Martin
  • Yacoub
iii:31
ii. "Stronger"
  • Martin
  • Yacoub
  • Martin
  • Yacoub
3:23
3. "Don't Go Knockin' on My Door"
  • Martin
  • Yacoub
  • Jake Schulze
  • Alexander Kronlund
  • Jake
  • Yacoub
3:43
four. "(I Can't Get No) Satisfaction"
  • Mick Jagger
  • Keith Richards
Rodney Jerkins 4:23
five. "Don't Let Me Exist the Last to Know"
  • Robert John "Mutt" Lange
  • Shania Twain
  • Keith Scott
Lange 3:50
6. "What U Encounter (Is What U Get)"
  • Per Magnusson
  • David Kreuger
  • Jörgen Elofsson
  • Yacoub
  • Magnusson
  • Kreuger
  • Yacoub
three:36
7. "Lucky"
  • Martin
  • Yacoub
  • Kronlund
  • Martin
  • Yacoub
iii:26
8. "I Kiss from You" Steve Lunt
  • Lunt
  • Larry "Stone" Campbell
3:23
9. "Where Are Yous Now"
  • Martin
  • Andreas Carlsson
  • Martin
  • Yacoub
4:39
x. "Can't Make You Love Me"
  • Kristian Lundin
  • Carlsson
  • Martin
  • Lundin
  • Jake
3:17
xi. "When Your Eyes Say Information technology" Diane Warren
  • Lunt
  • Robert "Esmail" Jazayeri
  • Paul Umbach[a]
iv:29
12. "Dear Diary"
  • Britney Spears
  • Jason Blume
  • Eugene Wilde
  • Timmy Allen
  • Barry J. Eastmond
two:46
Full length: 44:37
Oops!... I Did It Again  – International edition[94]
No. Championship Writer(s) Producer(s) Length
12. "Girl in the Mirror" Elofsson
  • Magnusson
  • Kreuger
iv:06
thirteen. "Dear Diary"
  • Spears
  • Blume
  • Wilde
  • Allen
  • Eastmond
2:46
Full length: 48:24
Oops!... I Did It Again  – Asian edition[95]
No. Title Writer(s) Producer(s) Length
11. "When Your Optics Say Information technology" Warren
  • Lunt
  • Jazayeri
  • Umbach[a]
four:06
12. "Daughter in the Mirror" Elofsson
  • Magnusson
  • Kreuger
iii:36
13. "Y'all Got It All" Rupert Holmes Eric Foster White 4:43
fourteen. "Dearest Diary"
  • Spears
  • Blume
  • Wilde
  • Allen
  • Eastmond
two:46
Total length: 52:33
Oops!... I Did It Again  – Japanese, Australian, Mexican, Asian and United kingdom special edition[96] [97]
No. Title Writer(s) Producer(s) Length
eleven. "When Your Optics Say It" Warren
  • Lunt
  • Jazayeri
  • Umbach[a]
4:06
12. "Girl in the Mirror" Elofsson
  • Magnusson
  • Kreuger
3:36
xiii. "You lot Got It All" Holmes White four:10
14. "Center"
  • George Teren
  • Wilde
  • Lunt
  • Campbell
3:31
15. "Honey Diary"
  • Spears
  • Blume
  • Wilde
  • Allen
  • Eastmond
2:46
Total length: 55:34
Oops!... I Did It Once more  – Australian special edition (bonus disc)[98]
No. Title Length
1. "Don't Permit Me Be the Concluding to Know" (Album version) 3:l
ii. "Don't Let Me Exist the Last to Know" (Hex Hector Radio Mix) 4:01
three. "Don't Let Me Be the Last to Know" (Hex Hector Gild Mix) 10:12
4. "Stronger" (MacQuayle Mix Show Edit) five:21
5. "Stronger" (Pablo La Rosa's Tranceformation) 7:21
6. "Oops!... I Did It Once more" (Music video) iv:11
7. "Lucky" (Music video) iv:07
8. "Stronger" (Music video) 3:37
9. "Don't Let Me Be the Concluding to Know" (Music video) 3:51
Total length: 30:52
Oops!... I Did Information technology Once more  – Asian special edition (bonus disc)[99]
No. Title Length
1. "Oops!... I Did Information technology Once again" (Music video) 4:20
2. "Lucky" (Music video) 4:fourteen
three. "Stronger" (Music video) three:47
4. "Oops!... I Did It Again" (Karaoke) 4:17
five. "Lucky" (Karaoke) four:18
half dozen. "Stronger" (Karaoke) iii:46
Total length: 25:25

Notes

  • Track 4, "(I Can't Get No) Satisfaction" is a encompass of the 1965 Rolling Stones single.
  • ^a signifies a vocal producer

Personnel [edit]

Credits adapted from AllMusic.[100]

  • Britney Spears – vocals, groundwork vocals, spoken words, concept
  • Steve Lunt - A&R, composer, producer, cord arrangements
  • Jeanne LeBlanc – cello
  • Jesse Levy – cello
  • Kermit Moore – cello
  • Eugene J. Moye – cello
  • Harvey Stonemason, Sr. – editing
  • Bobby Brown – banana engineer
  • Flip Osman – banana engineer
  • Clayton Wood – assistant engineer
  • Anthony Ruotolo – banana engineer
  • Alfred Bosco – assistant engineer
  • Shane Stoneback – assistant engineer
  • Charles McCrorey – engineer, assistant engineer
  • Michel Gallone – engineer, mixing engineer
  • Chris Trevett – engineer, song engineer, mixing engineer
  • Eric Gast – engineer
  • Tim Donovan – engineer
  • Harvey Mason, Jr. – engineer
  • Dan Gellert – engineer
  • John Amatiello – engineer
  • Stephen George – mixing engineer
  • Dexter Simmons – mixing engineer
  • Chris Tergesen – string engineer
  • Michael Tucker – vocal engineer
  • Jackie White potato – art direction, design
  • Mark Seliger – back cover, comprehend photo
  • Larry "Rock" Campbell – bass, guitar, producer, drum programming
  • Marji Danilow, Judith Sugarman, Thomas Lindberg – bass
  • Esbjörn Öhrwall – guitar
  • Johan Carlberg – guitar
  • Michael Thompson – guitar
  • Kali – hair stylist
  • Gloria Agostini – harp
  • Max Martin – keyboards, programming, producer, mixing engineer, spoken discussion
  • Robert "Esmail" Jazayeri – keyboards, producer, drum programming
  • Per Magnusson – keyboards, programming, producer, mixing engineer
  • Jake – keyboards, programming, producer, mixing engineer
  • Kristian Lundin – keyboards, programming, producer, mixing engineer
  • Rami – keyboards, programming, producer, mixing engineer
  • David Kreuger – keyboards, programming, producer, mixing engineer
  • Kent Wood – keyboards
  • Elan Bongiorno – make-up
  • Johnny Wright – direction
  • Tom Coyne – mastering
  • Nigel Light-green – mixing
  • Jon Ragel – photography
  • Barry Eastmond – piano, conductor, keyboards, producer, engineer, orchestral arrangements
  • Rodney Jerkins – producer, engineer, vocal arrangement, mixing engineer
  • Robert John – producer
  • Timmy Allen – producer
  • Richard Meyer aka Swayd – programming
  • Cory Churko – programming
  • Kevin Churko – programming
  • William Meade – string coordinator
  • Hayley Hill – stylist
  • Alfred V. Brown – viola, orchestra contractor
  • Julien Barber – viola
  • Olivia Koppell – viola
  • Harry Zaratzian – viola
  • Maxine Roach – viola
  • Stephanie Baer – viola
  • Richard Henrickson – violin, concertmaster
  • Sanford Allen – violin
  • Belinda Whitney-Barratt – violin
  • Sandra Billingslea – violin
  • Winterton Garvey – violin
  • Gerald Tarack – violin
  • Joyce Hammann – violin
  • Stanley Hunte – violin
  • Regis Iandiorio – violin
  • Cistron Orloff – violin
  • Marion Pinhiero – violin
  • Marti Sweet – violin
  • Amahid Ajemian – violin
  • Xin Zhao – violin
  • Margaret Magill – violin
  • Ashley Horne – violin
  • Nikki Gregoroff – background vocals
  • Audrey Martells – background vocals
  • Nana Hedin – background vocals
  • Darryl Anthony – background vocals
  • Nora Payne – background vocals
  • Jeanette Söderholm – background vocals
  • Therese Ancker – groundwork vocals
  • Charlotte Björkman – background vocals
  • Andres Von Hofsten – groundwork vocals
  • Nina Woodford – groundwork vocals
  • Mona Yacoub – background vocals
  • Jeanette Olsson – background vocals
  • Stephanie Baer – background vocals

Charts [edit]

Certifications and sales [edit]

Release history [edit]

Run across too [edit]

  • List of best-selling albums
  • Listing of acknowledged albums by women
  • Listing of best-selling albums in the United States
  • List of fastest-selling albums

Notes [edit]

  1. ^ As of December 2010, Oops!...I Did It Once again has sold 9,201,000 copies in the Usa according to Nielsen SoundScan,[186] with boosted 1,210,000 copies sold at BMG Music Clubs.[89] Nielsen SoundScan does not count copies sold through clubs like the BMG Music Service, which were significantly popular in the 1990s.[90]

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Bibliography [edit]

  • Salaverri, Fernando (2005). Sólo éxitos. Año a año. 1959-2002 [Only Hits. Year by yr. 1959-2002] (in Spanish). Madrid, Spain: Iberautor Promociones Culturales. p. 943. ISBN9788480486392.

External links [edit]

  • Official website

hedlundmicketionath.blogspot.com

Source: https://en.wikipedia.org/wiki/Oops%21..._I_Did_It_Again_%28album%29

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